Call for Papers
We invite submissions on all aspects of song, with a special welcome to literary scholars, composers, and performer-scholars.
International Scholars
Performers and Speakers
In addition to papers by scholars from around the country, the festival features keynote talks and performances by internationally acclaimed musicians and writers.
About our Team
Camille Ortiz
Puerto Rican soprano Camille Ortiz has served as Assistant Professor of Voice at the University of Oregon, School of Music and Dance since the fall of 2020. Recent career highlights include a residency with Seattle Opera in the fall of 2023, leading to a return on the mainstage as Pamina in Mozart’s The Magic Flute in February/March of 2025. An avid recitalist, she holds a keen interest in art song, particularly of underrepresented composers.
Stephen Rodgers
Stephen Rodgers is Edmund A. Cykler Chair in Music and Professor of Music Theory and Musicianship at the University of Oregon, where he has been teaching since 2005. He specializes in the study of song, especially songs by underrepresented composers. His book The Songs of Clara Schumann was published in 2023 by Cambridge University Press, and his edited collection The Songs of Fanny Hensel appeared with Oxford University Press in 2021. He also hosts a podcast about poetry and song, called Resounding Verse, as well a website devoted to songs by composers whose music has been marginalized, called Art Song Augmented.
Stephen Rumph
Stephen Rumph is Chair and Adelaide D. Cole Endowed Professor of Music History at the University of Washington. His publications include The Fauré Song Cycles: Poetry and Music, 1861-1921 (University of California Press, 2020) and Fauré Studies (Cambridge University Press, 2021), co-edited with Carlo Caballero. He is currently editing the Cambridge Companion to French Art Song, expected out in 2024. He also sings professionally as a lyric tenor, appearing regularly in opera and concert.
Carrie Shaw
Praised in the New York Times “as graceful vocally as she was in her movements”, “consistently stylish” (Boston Globe), and as a “cool, precise soprano” (Chicago Tribune), Carrie Henneman Shaw is a two-time McKnight Fellowship for Performing Musicians winner. She has premiered major works by such Minnesota composers as Jocelyn Hagen and Abbie Betinis, whose annual Christmas carols she has recorded for Minnesota Public Radio, and sung American premieres of works by such composers as Georg Friedrich Haas, Hans Thomalla, and Augusta Read Thomas. Carrie is a member of acclaimed contemporary groups Quince Ensemble and Ensemble Dal Niente.
About the Festival
An Intercollegiate Collaboration
Cascade Song Festival is presented in partnership between scholars from the University of Oregon, Eugene, and University of Washington, Seattle.
CSF will alternate between our campuses with the inaugural festival to be held at the University of Oregon in Eugene.
Details for travel logistics to be announced
Blog
Festival News
Hello Song Lovers!
As we launch the inaugural Cascade Song Festival, we will keep you updated here. Hope we see you in Eugene in January 2025.
Become a Volunteer
Support Cascade Song Festival with your time and talents!