University of Washington, Seattle
All events are held in Brechemin Recital Hall (except the Thursday opening event) and are free and open to the public.
Thursday, January 15
Live Music Jukebox! featuring University of Oregon and University of Washington students
(Intellectual House 4:45-7:45pm)
Friday, January 16
Registration and coffee (School of Music Fishbowl, 9:00am–9:30am)
Welcome and opening remarks (Brechemin, 9:45am)
Session 1 (10:00am–12:00pm)
Session chair: TBD
- Lydia Bangura (University of Michigan) “To A Loved One”: Black Feminist Collaboration in Two Songs by Florence Price
- Magdalena Wolfarth and Carlotta Lipski (HMTM Hanover, TONALi Stage Academy, Germany) Hate Speech – Interactions Between Public Discourses and Songs of Ethel Smyth, Cecilia Ore, and Jennifer Walshe
- Rachel Short (Shenandoah Conservatory) “Utterly” Wilde: Constructing Gendered Aesthetic Identity Through Song
- Kaitlyn Clawson-Cannestra (University of Oregon) Ariel and Belle: Constructions of Gender within Renaissance-Era Disney Princess Songs
Lunch break (Noon–1:30pm)
Session 2 (1:30pm–3:30pm)
Session chair: Carrie Shaw, University of Washington, Chair of Voice
- Cee Adamson (Director of STANCE choir, Seattle, Washington) Expanding the Canon: Reimagining Art Song for the Transfemme Treble Voice
- Megan Ihnen (Peabody Institute of the Johns Hopkins University) Voice + X: Spatiality, Timbre, and Collaboration Beyond the Keyboard
- Tung Nguyen (Oregon State University) Đặng Hữu Phúc’s “60 Romances for Voice and Piano” – An Introduction to Art Songs in Vietnam
- Pharel Silaban (University of Kentucky) Sonic Diplomacy and Fragmented Memory: reimagining the Song Cycle in Trisutji Kamal’s “Siklus Kehidupan”
Coffee break (3:30pm–4:00pm)
Masterclass with Louise Toppin (4:00-6:00pm)
Participants TBD
Dinner break (6:00pm–7:30pm)
Keynote: Matt BaileyShea *Friday, 7:30pm

Matt BaileyShea is a Professor of Music Theory and Chair of the Arthur Satz Department of Music at the University of Rochester, where he also holds a secondary appointment at the Eastman School of Music. He received his Ph.D. in Music Theory from Yale University in 2003 with a dissertation on the music of Wagner. He has published on a variety of topics including form, gesture, agency, chromatic harmony, and recomposition. He recently published the book Lines and Lyrics: An Introduction to Poetry and Song with Yale University Press, which won the 2022 Wallace Berry Award from The Society for Music Theory, and he is currently working on a book called Troubled Sleep: The Dark Side of Lullabies in Rock, Broadway, and Beyond.
Saturday, January 17
Session 3 (10:00am–12:00pm)
Session chair: Stephen Rodgers (University of Oregon)
- Paula Liliana Alva Garcia (University of Oregon) Texture and Performance in “Seis Canciones” by Eduardo Toldrà
- Collin Ziegler (University of California – Berkeley) Songs of Régine Wieniawski
- Liz Pearse (Winona State University) “…to all the girl singers I have known” – Milton Babbitt’s Songs for Treble Voice
- Orla Shannon (Royal Irish Academy of Music; University of Oregon) Songs by Mary Turner Salter
Lunch break (12:00pm–1:30pm)
Session 4 (1:30pm–3:00pm)
Session chair: TBD
- Sam Falotico (Eastman School of Music) Performed, Mediated, and Reconfigured Identity in Kyary Pamyu Pamyu’s Recent Works
- Annie Liu (Princeton University) Mu Shiying’s “Shanghai Foxtrot” (1934) and Li Jinhui’s “Express Train” (1936)
- Anabel Maler (University of British Columbia) Signing Divas: Sign Language Covers of “Defying Gravity”
Coffee break (3:00pm–3:30pm)
Session 5 (3:30pm–5:00pm)
Session chair: TBD
- Nathan Dougherty (University of Oklahoma) “Nègres et blancs song égaux á tes yeux”: Ourika, Race, and Sentimentality in Three 1820s French Romances
- Echo Davidson (University of Pittsburgh) The Diva of Rebetiko: Roza Eskenazi and the Gendered Life of Song
- Sam Reenan (University of Cincinnati) Thematic Allusion and Racial Transformation in “Onaway! Awake, Beloved!”
Catered dinner for festival participants (5:30–7:00)
Louise Toppin & John O’Brien in Recital *Saturday, 7:30pm
Event free and open to the public

Louise Toppin has received critical acclaim for her operatic, orchestral, oratorio and recital performances world-wide. Represented by Joanne Rile Management, she toured “Gershwin on Broadway” with pianist Leon Bates. She has recorded more than ninteen commercial CDs including on Albany Records Ah love, but a day, La Saison des fleurs and Dear Friends and Gentle Hears with Darryl Taylor released February 7, 2025. Since 2021 she has published 13 scores with Classical Vocal Reprints, Carl Fischer and Hal Leonard (soon for release) including An Anthology of Undine Moore Songs, An Anthology of African and African Diaspora Songs, Songs of Harry Burleigh, Songs of Adolphus Hailstork, and Rediscovering Margaret Bonds. She is the publisher of the unpublished works of Julia Perry (distributed by Boosey and Hawkes). (more…)
John O’Brien was born into a musical family and studied piano with his father through high school. He began his undergraduate studies as a double major in violin and piano performance studying violin with Robert Gerle and piano with William Masselos. He continued his college piano studies with John Perry completing the BM and MM in piano performance at the University of Southern California. In 1989 O’Brien was awarded the DMA in accompanying from the University of Southern California studying with Gwendolyn Koldofsy and Jean Barr. (more…)
Sunday, January 18
Session 6 (10:00am–12:00pm)
Session chair: TBD
- Douglas Boyce (George Washington University) Setting, and Framing: Views from a Compositional Praxis
- Laura Loge (Northwest Edvard Grieg Society) with Steven Luksan, piano, An Introduction to the Golden Age of Norwegian Art Song
- Li Shuyi (University of North Texas) Singing Through Images: Performer-Created Visual Art as Analytical and Expressive Tool in Art Song Interpretation
- Lisa Neher (Lewis and Clark College, New Wave Opera) with Dianne Davies, piano, “Paradigm Shift” Lecture Recital